Category: Authors

Panellists at the live launch of Some Would Call This Living, an anthology of Herman Bang’s writings

This is the second of two blogs reporting on our recent book launch event for an anthology of writings by Herman Bang: Some Would Call This Living. In part two, we hear from the translators.

Charlotte Barslund on her translations of short stories

While working on his short stories, I have come to appreciate just how well Bang captures the inner lives of characters who might at first sight not be regarded as worthy protagonists. He nails the stifled, impoverished lives of decent people. They try their hardest to improve their lot in life, and the few happy times they have and their lives of endless drudgery are invoked with agonising accuracy, leaving the reader with a sense of outrage and frustration at the harshness of the human condition. At the same time he is an astute, witty and entertaining observer of human nature’s less attractive sides: greed, vanity, self-importance, desire, snobbery. These themes are universal, they span generations and cultures.

As a literary translator working in commercial publishing, rather than academia, my priority was to produce translations which would make it clear why Bang is a writer who deserves wider recognition. When I encountered issues in the Danish text such as terms which nobody knew, inconsistencies in the geography in some short stories and errors in the naming of characters, I was very keen that these should be resolved and cleared up. I was surprised at how many anomalies we spotted, given that Bang had presumably had an editor for his published works. One unintentionally funny error included a heroine’s brother and love interest both being given the same name on the final few pages, which spiced up the plot no end. Either Bang’s editor wasn’t paying attention, or it was a case of not questioning what they presumed to be a divinely inspired author. However, in my experience working with 21st-century publishers, you do your authors no favours by not fixing their mistakes.

Paul Russell Garrett on Bang’s autobiographical accounts

Herman Bang was a very complex personality, who wrote in different ways in different genres. It was a stimulating part of this enterprise to be sent several collections of his texts to read, and to be able to compare solutions with other translators.

There is a great deal of humour in Bang’s autobiographical writings, sometimes at his own expense, as in his account of the lamentable reception of a tour of Bornholm he undertook with fellow artists. He can be extremely sarcastic – for example in his description of the Kaiser’s family, whose only function in life seems to be to pose for photographs – and is fond of biting understatements. Otherwise he is frequently a sympathetic observer of the different classes of society, especially those who are lower down the social scale.

He can also write very subtly, making oblique hints at events rather than explaining them fully. In ‘Expelled from Germany’, for example, he dances around the question as to why he is driven out of one place after another, leaving it to the reader to conjecture as to the cause of his discomfort.

Janet Garton on her translations

Bang’s fiction is at times problematic, even frustrating to unravel. He has often been called Denmark’s most important impressionist writer; his style is allusive and the meaning often elusive. He refers to things obliquely, giving the reader a glimpse of a person or a situation which suggests hidden depths or ambiguities which you are left to guess at. Let me give an example.

The long story ‘The Ravens’ tells of an old lady, Frøken Sejer, who is presumed to be wealthy, and is surrounded by a family who are all keen to inherit her wealth and stop her squandering it. She gives a lavish dinner for all of them, which they enjoy greedily, at the same time as wondering privately how much it has cost and counting the silver cutlery and cut-glass bowls, which seem to be mysteriously disappearing. Some of them are hoping to have her declared incapable of managing her affairs and confined to an asylum, and there is a great deal of half-concealed jostling for attention and point-scoring against perceived rivals for the inheritance, not to mention downright thieving. There are many unsubtle hints at possible strategies to worm Frøken Sejer’s money out of her, while she enjoys the whole situation hugely.

There is also a concealed homosexual thread running through the story – concealed because of course it could not be openly acknowledged in 1902. There are odd references to having some business in a kiosk, making it sound as if they are places for flirtation, whether hetero- or homosexual. One of the characters in this story, Willy Hauch, is clearly homosexual; he is introduced as being ‘polished to a shine all over’ and comes in apologising for being late because he has had ‘an errand at a kiosk’. He makes various remarks about not being the marrying kind, and during dinner he keeps an eye on Herr Lauritzen, the attractive young hired waiter, who assures Willy at one point that he has ‘many strings to my bow’. As people depart after the dinner, Willy jumps on to an electric tram and, the narrator tells us,

 suddenly spotted Herr Lauritzen …

‘Fancy meeting you here, Lauritzen,’ Willy said, ‘we’ve caught the same tram.’

‘So it would appear, Herr Hauch,’ Lauritzen replied with a nod.

No more is said, and they both leave the story at this point.

Panellists at the live launch of Some Would Call This Living, an anthology of Herman Bang’s writings

This is the first of two blogs reporting on our recent book launch event for an anthology of writings by Herman Bang: Some Would Call This Living. Part one introduces the anthology using comments from two of the panellists.

Paul Binding on the writer Herman Bang

Herman Bang was a master of very different forms of writing, although there is a thematic unity in his production which binds it all together. On the one hand, he was a superb and respected journalist with an enormous social compass, a sharp observer of social distinctions and dramatic events. In his description of the catastrophic Christiansborg fire of 1884, the immediacy of his account makes the reader feel the heat and hear the flames; in his brief recording of a fatal car accident, ‘In a Flash’, he brings home the terrible finality of violent death.

On the other hand, he also wrote many wonderful short stories and novellas, like Ved vejen (Katinka), often recording the quiet existence of those on the sidelines of life, those whose fates are normally unrecorded. This was the era of the short story, and Bang admired amongst others Maupassant and Chekhov. In a story like ‘Frøken Kaja’ he brings to life the inhabitants of a boarding house with a keen awareness of the tiny distinctions which mark out some of the boarders as being of a slightly higher class than the others.

Bang was in many ways an outsider in Danish literary circles. Although he shared many of the preoccupations of the Modern Breakthrough movement with its emphasis on realistic depictions of contemporary society, he had strained relations with its Danish leaders, Georg and Edvard Brandes – perhaps partly because of his precocious early success as a critic with Realisme og Realister, published when he was only 22. He was also an outsider because of his sexuality, being homosexual during a period when it was regarded with hostility. Despite fleeing abroad, he never achieved a harmonious relationship, perhaps because he was too complicated for anyone to be able to reciprocate fully.

The subversive nature of sexuality is a theme of many of his stories, such as ‘Les Quatre Diables’, which tells of a circus act of high-flying trapeze artists, two men and two women whose harsh early lives have led them to form an intimate bond through their act. But their work and dedication is undermined by desire, as Fritz is seduced by an aristocratic lady who saps his strength in their encounters. Here sexuality is shown to be a threat to a well-regulated society.

Dorrit Willumsen’s novel Bang (also published by Norvik Press) is one of the best ever written about a creative writer, tracing how Herman Bang was hounded across Europe, at one and the same time suffering acutely and deliberately provoking his own tragedy.

Janet Garton on the background to the publication

The story of this anthology goes back to 2018, when I was contacted by a group of Danes going by the mysterious name of De Bangske Morgenmænd (translates roughly as The Bangian Morning Men). I had not heard of them, but it transpired that they are a group of men with a passion for Herman Bang’s works and a desire to promote them, who meet every year on the morning of his birthday to celebrate his achievements. They were aware of how little Bang is known in the English-speaking world, and suggested that Norvik Press might consider publishing some of his short stories and journalism, two genres in which he excelled and which have hardly been translated into English at all. They sent us a quite long and very varied list of short stories, autobiographical pieces, journalism and letters – which is practically identical with the final contents of our volume. We were a little daunted at first by the prospect of such a large publication – a total of 170,000 words to translate – but decided that it would be a really worthwhile undertaking, if we could raise enough funding to cover the substantial costs. It helped a lot that De Bangske Morgenmænd are well connected. We were able to discuss the project in detail when I was in Copenhagen in the autumn of 2019, and as a result we applied to and received funding from Augustinus Fonden and Consul George Jorck og hustru Emma Jorck’s Fond. Professor Poul Houe from the University of Minnesota, who is one of the Morgenmænd, brought us some funding from his university as well as supplying the informative introduction. And the translations were also supported by the ever-reliable Statens Kunstfond. That is how we were able to produce this handsome volume.

Part two will delve into the translators’ experiences while working on this project. Stay tuned!

Cover of Some Would Call This Living, an anthology of Herman Bang’s writings

Some Would Call This Living: An Anthology brings together a selection of Herman Bang’s writings – short stories, autobiographical pieces, reportage – in English translation from the original Danish.

Readers familiar with the eccentricities of Bang will enjoy having his fiction and non-fiction gems available in one handsome volume; and readers new to Bang are in for a real treat! For the Bang-curious, you can read two extracts from the Anthology below which provide a flavour of his inimitable flair across prose genres:

Short story: Extract from The Last Ballgown
Journalism: Extract from The Fire

Purchase Some Would Call This Living: An Anthology at your favourite bookshop, or here. Translated by Janet Garton, Charlotte Barslund and Paul Russell Garrett. Introduction by Poul Houe. Get more Bang for your buck by ordering our Bang Bundle with Bang: A Novel about the Danish Writer via our special offer!